Giulio Paolini Exhibition “Fine” (The End) Opening on November 10 at Christian Stein Gallery Celebrating the Fiftieth Anniversary of the Gallery Founding |   November 10, 2016

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On 10 November 1966, Ms. Margherita von Stein opened a new gallery at Via Teofilo Rossi 3 in Turin with a solo show by Aldo Mondino. Christian Stein was the “nom de plume” chosen by Margherita von Stein for herself and for her Gallery, which was to become a benchmark on the international scene for the Arte Povera movement.

On November 10 – five decades and over 250 exhibitions later, the Gallery in Turin having been closed while the two venues in Milan continue their activity – Galleria Christian Stein is celebrating its fiftieth anniversary with two exhibitions curated by Bettina Della Casa dedicated to Giulio Paolini in the spaces of Corso Monforte 23, in the heart of the city, and at Via Vincenzo Monti 46 in Pero, outside Milan.
In the gallery’s Corso Monforte location the new work Fine (2016) offers, by way of multiple citations and cross-references, a metaphorical summa of Giulio Paolini’s vision of art.
On display in the gallery’s spacious Pero location is a selection of eighteen works dated from 1972 to the present, some of which have only rarely been exhibited, and three of which are new.

Giulio Paolini (Genoa, 1940), a leading figure in Conceptual art, exhibited his work for the first time in Via Teofilo Rossi in Turin in 1967, and later, on various other occasions, at the gallery’s new address in Piazza San Carlo. Over the years, he has kept close ties with Galleria Christian Stein, now directed by Gianfranco Benedetti who, from 1971, worked with Ms. Stein until she passed away in 2003.

These two exhibitions mark the most important stages in the artistic evolution of Paolini, who has personally chosen a series of historic works that converse with three hitherto unseen interventions. This “conversation” comprises six sections corresponding to six of the gallery’s rooms.

Paolini’s plaster casts titled Mimesis from the 1970s (1976-88) are described by the artist himself as “two identical copies, placed one opposite the other, of an antique sculpture, the intention being to capture the distance that separates them and the void that the work creates around itself, taking away from us the right to possess its impenetrable gaze”.

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Nancy Olnick with Paolini’s Mimesis and Intervallo (Lottatori)

An example of the artist’s research in the 1990s is the work “Hic et nunc (Le Radeau de la Méduse)” (1991), which evokes, in metaphorical terms, the scene represented in the painting by Géricault “The Raft of the Medusa”, and suggests with dramatic emphasis the unstable equilibrium that presides over the accomplishment of the vision. In this display, as is often the case with Paolini’s installations, one hears the echoes of past artists assumed as vital and irreplaceable elements of the work’s becoming: a “theatre” of timeless representations, always loyal to itself and yet renewed each and every time.

In the historic hall in Palazzo Cicogna, in Corso Monforte, Paolini presents a single large-scale installation entitled “Fine”, made specially for this occasion: a complex and elaborate work that tends to trace over the whole creative experience of the artist in a symbolic “voyage home”. It is by way of an overt reference to Jean-Antoine Watteau and his painting ”L’embarquement pour Cythère” (1717) that Paolini stages a sort of large raft that hosts a variety of objects, all of which coming from the artist’s studio, works, or ordinary tools.

A text by Paolini welcomes visitors and introduces them to an interpretation of the exhibition.

For more in-depth information about Giulio Paolini and a list of his exhibitions:

Fondazione Paolini

Fine will be on view until April 29, 2017.

More information about Fine can be found here

Text by Giulio Paolini

Galleria Christian Stein
Milan, Corso Monforte 23 / Pero (Milan), Via Vincenzo Monti 46
www.galleriachristianstein.com

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Opening night of Giulio Paolini’s exhibition at Galleria Christian Stein

From right to left (front row): Silvia Fabro, Bruno Corà, Germano Celant, Giorgio Spanu
From right to left (back row): Michelangelo Pistoletto, Nancy Olnick, Domenico Bianchi, Giulio Paolini, Bettina Della Casa, Gianfranco Benedetti, Danna Olgiati, Barbara Maccaferri, Giancarlo Olgiati, Lia Riva Ferrarese, Eduardo Cicelyn

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Opening night of Giulio Paolini’s exhibition at Galleria Christian Stein

From right to left (front row): Argento Celant, Giancarlo Olgiati, Barbara Maccaferri, Giorgio Spanu, Paolo Canevari, Bettina Della Casa, Patrizia Pisani
From right to left (back row): Roberto Lombardi, Remo Salvadori, Germano Celant, Marco Bagnoli, Giulio Paolini, Nancy Olnick, Danna Olgiati, Eduardo Cicelyn, Rosella Nesi, Domenico Bianchi, Daniela Morera, Paris Murray, Peter Wuethrich

Ornaghi & Prestinari Artist Talk and Catalogue Presentation on November 2 at NYU Casa Italiana Zerilli-Marimò |   November 8, 2016

NYU’s Casa Italiana Zerilli-Marimò, in collaboration with Magazzino Italian Art and Galleria Continua San Gimignano / Beijing / Les Moulins / Habana, is currently exhibiting Ornaghi & Prestinari, curated by Magazzino’s Director Vittorio Calabrese. A catalogue presentation and talk with the artists took place on 2 November. Introduced by Casa Italiana’s Director Stefano Albertini, the artists talked about their work and creative process after a short video presentation and NYU Professor Ara Marjian discussed more in depth the context that frames Ornaghi&Prestinari work.
Watch the entire talk online

The catalogs are available to the public at Casa Italiana.

Watch the video about Ornaghi & Prestinari’s work for the exhibition Familiare at Galleria Continua in 2014. Directed by Matteo Frittelli.

 

GERMAN DESIGN AWARD 2017: special Mention prize to San Lorenzo Atelier, Milan, for the PAN999 collection designed by Tobia Scarpa |   November 4, 2016

GERMAN DESIGN AWARD 2017: the San Lorenzo Atelier, founded in Milan in 1970 with the aim of renewing the language of silverware following the principles of design, has been awarded a Special Mention prize for the PAN999 collection designed by Tobia Scarpa, one of the artists of the Olnick Spanu Collection.

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PAN999 collection by Tobia Scarpa

More info can be found here

Ornaghi & Prestinari Exhibition at NYU Casa Italiana Zerilli-Marimò opening on October 24, 6-8PM |   October 11, 2016

Magazzino Italian ArtNYU Casa Italiana Zerilli-Marimò and Galleria Continua San Gimignano / Beijing / Les Moulins / Habana are pleased to present the exhibition

Ornaghi & Prestinari
Curated by Vittorio Calabrese

October 24 – December 9, 2016

Opening Reception:
October 24, 2016, 6-8pm

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Mattino (Morning), 2016, painted wood, alabaster sculpture, photograph courtesy of Galleria Continua San Gimignano / Beijing / Les Moulins / Habana © 2016 Ornaghi & Prestinari.

Based in Milan, Valentina Ornaghi and Claudio Prestinari have worked together since 2009 and have exhibited their work throughout Italy and Europe. Casa Italiana Zerilli-Marimò will present a series of new works that will include both sculpture-installations and works on paper and on wood, attesting to the artists’ interest in materials and in new interdisciplinary methods of approach. Blending together pictorial and plastic figuration, reflections on key motifs from 20th century Italian modern art, conceptual art and personal experiences, Ornaghi and Prestinari raise questions about the importance of authorship and craft in a post-artisanal world.

Their practice is centered on the dualities between thinking and acting, focusing particular attention to spontaneous and unpredictable intuitions. Ornaghi and Prestinari are interested in investigating the intimacy of domestic objects: it is under this premise that they transform everyday objects such as a “moka” espresso maker (Mattino, 2016) or a beer bottle (Chapeau, 2016) into alabaster sculptures, thus elevating familiar objects to a higher and new dimension.

Ornaghi & Prestinari will be accompanied by a catalogue published by Magazzino Italian Art which will be presented on November 2, on the occasion of a talk with the artists in the auditorium of NYU Casa Italiana Zerilli-Marimò.

Venue: NYU Casa Italiana Zerilli Marimò

24 W 12TH Street (bet. 5th and 6th Avenue), New York, NY 10011

Mon – Fri: 10am-5pm

Further information can be found here

Magazzino of Italian Art is introduced to the Hudson Valley community by the featured article in the Highlands Current |   September 20, 2016

The Highlands Current announces the launch of Magazzino of Italian Art, an art warehouse and library built by Nancy Olnick and Giorgio Spanu of Garrison, NY to house their personal collection of postwar and contemporary Italian art.

Magazzino is located in Cold Spring, NY and will be open in summer 2017 by appointment only and there will be no charge for admission.

The idea is not only to contain the art, but also to share it, to host students and scholars,” said Magazzino’s director, Vittorio Calabrese.

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The new building under construction at Magazzino of Italian Art (Photo by Marco Anelli)

Designed by Spanish architect Miguel Quismondo, the complex consists of two buildings, one is the renovated Cyberchron space, the other is new. The buildings are linked by a glass connector and separated by a courtyard. The name Magazzino, which means warehouse in Italian, was deliberately chosen to avoid any association with a museum, galleries or commercial enterprises of any kind and to indicate that it is a private space.

Mario Airò’s exhibition “The gap in between” is opening on September 22, 2016 at the Bernier-Eliades Gallery, Athens |   September 15, 2016

“The gap in between”, a solo show of Olnick Spanu Art Program artist Mario Airò, is opening on September 22, 2016 at the Bernier-Eliades Gallery, Athens, and will be on view through November 17, 2016.
The tittle of the exhibition is inspired to a quote from a famous statement by Robert Rauschenberg: “Painting relates to both art and life. Neither can be made. I try to act in that gap between the two.”


Mario Airò, Installation shot, Bernier-Eliades Gallery, Photo by Boris Kirpotin

According to Mario Airò, a work of art has a tangible presence in life: we meet and experience it. He believes that at the beginning nothing is fixed, so that he can model ideas, linguistic structures, materials with freedom and invention.

More information about the exhibition can be found here.

New York Times announces the launch of Magazzino of Italian Art |   September 14, 2016

New York Times announces the launch of Magazzino of Italian Art, a new art warehouse and library in the Hudson Valley devoted to Postwar and Contemporary Italian art.

Located in Cold Spring, NY, the new space and initiative will be led by Director Vittorio Calabrese. Magazzino will be open in summer 2017 by appointment only and there will be no charge for admission.

MIA-Magazzino of Italian Art Photograph by Marco Anelli New York, 2016
Magazzino Italian Art. Photograph by Marco Anelli

Founded by art advocates Nancy Olnick and Giorgio Spanu, Magazzino will house works from the Olnick Spanu Collection.

The new art warehouse conceived and designed by Spanish architect Miguel Garcia Quismondo will feature a permanent collection which will be rotating as well as an extensive library of Italian art.

Magazzino will also host programs for the local community, surrounding universities, art historians and scholars.

As residents of the Hudson Valley community for more than 25 years, Nancy and Giorgio look forward to opening a space that gives access to works of Italian art not previously seen in the United States.

A new Constellation by Melissa McGill twinkles in the Hudson Valley |   September 12, 2016

Constellation is a large–scale sculptural installation by the Beacon based artist Melissa McGill which brings together light and form, history and phenomenology. A series of 17 slender tapered aluminum poles are installed above the decaying ruins of Bannerman Castle, a fantastic castle built by an eccentric arms dealer at the turn of the 20th century on Pollepel Island, in the Hudson Valley. Small lights (solar powered LEDs) are installed on the top of each pole, creating a visual vertical rhythm around the ruin drawing the eye upward while accentuating ideas of absence versus presence.

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Constellation

Hovering around the perimeter of the Bannerman castle ruin, these lighted points refer to features of the structure still standing, as well as those details which no longer exist—creating a new constellation connecting past and present through this inspiring light-based public art project—bringing new energy to this majestic part of the Hudson River, and the Hudson Highlands State Park.

Constellation is currently on view nightly until 2017. Further information about the project are available here including a video featuring Constellation.

Paolo Venini’s glass exhibited at Le Stanze del Vetro, Venice |   September 9, 2016

From September 11, 2016 to January 8, 2017 three hundred glass by Paolo Venini, one of the artists in the Olnick Spanu Collection, will be on view in the exhibition Paolo Venini and his furnace, curated by Marino Barovier at Le Stanze del Vetro, Venice.

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Transparent ‘murrine’ glass plates, 1957 ca.

Milanese by birth and Muranese by choice, Paolo Venini (1895-1959) was a great protagonist of twentieth century glass, and made a decisive contribution to keeping it alive with his enthusiastic works over the course of forty years.
Through 300 works the exhibition will feature the creations of Paolo Venini and some of the artists who collaborated with him in the period following World War II.

More information about the exhibition can be found here