James Carpenter Portrait

James Carpenter 1949–

Born in Washington, DC, James Carpenter graduated in 1972 from the Rhode Island School of Design with a B.F.A. in Sculpture. After his first collaboration at Venini, from October 1971 to May 1972, Carpenter returned several times to participate in the design of various glassworks. During this time, he worked along with Ludovico Diaz de Santillana, experimenting in new techniques for the creation of large multicolored glass windows. His designs were included in the exhibition of historical and contemporary Venini glass held in New York in 1984. Among the works he designed for Venini is the Calabash, executed with the use of multicolored glass rods. For more than twenty-five years, Carpenter’s work has focused on the exploration of light as a means to bring form to structure and reveal the environment. As an artist considered to be a foremost innovator in materials technologies, Carpenter has worked collaboratively with major architects in the United States and abroad on significant building projects and has received many major architectural and public art commissions. Carpenter currently works in New York.

Photograph by Luca Vignelli
Calabash
Venini & C., 1980
Information
Photograph by Luca Vignelli

James Carpenter CalabashVenini & C., 1980

An opaque yellow glass plate decorated with a spiraling pattern of red and turquoise glass canes.

Engraved: venini Italia 84.
Ø; 11 1/8 in. (28.2 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Murano oggi…, 1981, nn. 331-332;
G. Duplani Tucci, 1989, p. 93;
A. Venini Diaz de Santillana, 1996, n. 251; M. Barovier, 1999, p. 319;
A. Venini Diaz de Santillana, 2000, n. 254;
Olnick Spanu, 2000, n. 150;
Olnick Spanu, 2001, n. 188.

Workshop
Photograph by Luca Vignelli

Venini & C.  1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company's production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Calabash
Venini & C., 1980
Photograph by Luca Vignelli
Calabash
Venini & C., 1980
Information
Photograph by Luca Vignelli

James Carpenter CalabashVenini & C., 1980

Three opaque glass vessels.
The one on the left is yellow with a jagged green and blue pattern outlined in red; the one in the middle is black with turquoise and red; the bowl on the right is white with green and yellow glass.

Engraved: venini italia.
8 1/4 in. high (21 cm)
12 1/4 in. high (31.1 cm)
5 9/16 in. high (14.2 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Murano oggi…, 1981, nn. 331-332;
G. Duplani Tucci, 1989, p. 93;
A. Venini Diaz de Santillana, 1996, n. 251; M. Barovier, 1999, p. 319;
A. Venini Diaz de Santillana, 2000, n. 254;
Olnick Spanu, 2000, n. 149;
Olnick Spanu, 2001, n. 187.

Workshop
Photograph by Luca Vignelli

Venini & C.  1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company's production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Calabash
Venini & C., 1980
Photograph by Luca Vignelli
Prototipo
Venini & C., ca. 1979
Information
Photograph by Luca Vignelli

James Carpenter PrototipoVenini & C., ca. 1979

A prototype vessel composed of spiraling horizontal ritorte (canes)
in turquoise green and black.

Engraved: Carpenter, Venini.
4 3/4 in. high (12.1 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
M. Barovier, 1999, p. 288;
Olnick Spanu, 2000, n. 148;
Olnick Spanu, 2001, n. 186.

Workshop
Photograph by Luca Vignelli

Venini & C.  1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company's production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Prototipo
Venini & C., ca. 1979
Photograph by Luca Vignelli
Vetro tessuto
Venini & C., ca. 1979
Information
Photograph by Luca Vignelli

James Carpenter Vetro tessutoVenini & C., ca. 1979

A cylindrical tessuto vase, crafted with diagonal fasce of glass that are made of lattimo and coral canes alternating with black and red
coral canes.

Engraved: Carpenter Venini.
10 7/8 in. high (27.6 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Olnick Spanu, 2000, n. 147;
Olnick Spanu, 2001, n. 185.

Workshop
Photograph by Luca Vignelli

Venini & C.  1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company's production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Vetro tessuto
Venini & C., ca. 1979