Tapio Wirkkala 1915–1985

Born in Finland, from 1933 to 1936 Tapio Wirkkala attended the Central School for the Industrial Arts in Helsinki, where later he became artistic director. In 1946, he became part of the design team of the Finnish workshop Karhula Ittala, for which he produced his most famous designs and with which he remained associated until his death. Well known in Italy as well, his crystal works were shaped and cut in forms inspired by Nordic nature. A fervent scholar of materials, Wirkkala created objects not only in glass, but also in metal, wood, ceramic, and silver. He came to Venini for the first time in 1966 and continued his collaboration through 1972, only to return again in 1985. Wirkkala mastered Venetian techniques such as incalmo, filigrana, and murrina with great sensitivity. The result was a series of collections of greatly refined glass pieces with extraordinary colors, which wed the purity of Nordic design to the transparency of Murano glass in an incomparable style.

Photograph by Luca Vignelli
Bolle
Venini & C., 1966

Tapio Wirkkala BolleVenini & C., 1966

A group of five multicolored decanter-shaped vases. Blown with very thin, pale colored transparent glass, all works are obtained with the use of the incalmo technique.

Engraved:
venini ITALIA TW.
7 1/4 in. to 17 in. high
(18.4 to 43.2 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Domus, 1968, February;
G. Mazzotti, T. Carta, 1971, p. 155;
Venezianisches…, 1981, n. 40;
Murano Oggi, 1981, nn. 512-516;
R. Barovier Mentasti, 1992, n. 322;
Mille anni…, 1982, n. 653;
G. Duplani Tucci, 1989, nn. 46-49;
M. Heiremans, 1989, n. 221;
A. Venini Diaz de Santillana, 1996, n. 238;
Venini Venezia, 1998, p. 77;
M. Barovier, 1999, p. 271;
A. Venini Diaz de Santillana, 2000, n. 242;
Olnick Spanu, 2000,
n. 145;
Olnick Spanu, 2001, n. 183.

Venini & C.  1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company's production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Bolle
Venini & C., 1966