Venini & C. 1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company’s production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Photograph by Luca Vignelli
Carlo Scarpa, Venini & C., 1942
Carlo Scarpa
A fasce, 1942

Carlo Scarpa   A fasceVenini & C., 1942

A double gourd-shaped vase composed of lightly iridized clear glass decorated with horizontal fasce of colored glass.

Acid stamped (circular): venini murano.
8 1/2 in. high (21.6 cm)
Exhibitions:
1942, Venice, 23rd Biennale Internazionale d’Arte; 2000, New York, Venetian Glass, Museum of Arts & Design; 2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
Venini, grey catalogue, n. 4562;
G. Ponti, 1959, p. 42;
Vetri di Murano…, 1981, p. 105;
W. Neuwirth, 1987, p. 216;
F. Deboni, 1989, nn. 80, 81, 85;
G. Duplani Tucci, 1989, n. 19;
M. Karasik, n. 13;
M. Barovier, 1991, n. 56;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, nn. 70, 73;
F. Deboni, 1996, nn. 200, 201;
A. Venini Diaz de Santillana, 1996, n. 120; M. Heiremans, 1996, n. 69;
H. Ricke, E. Schmitt, 1996, n. 44;
M. Barovier, 1997, p. 222;
M. Barovier, 1998 (b), p. 31;
M. Barovier, 1999, p. 186;
Olnick Spanu, 2000, n. 68;
Olnick Spanu, 2001, n. 102.

Photograph by Luca Vignelli
Carlo Scarpa, Venini & C., 1940
Carlo Scarpa
Piatto del serpente, 1940

Carlo Scarpa   Piatto del serpenteVenini & C., 1940

Bowl finished with a light etching at the carving wheel, crafted with murrine in black pasta vitrea and red and white murrine arranged to look like a serpent twisted into a spiral.

Engraved: venini italia.
2 3/8 in. high x 14 1/2 in. x 9 3/4 in. (6.1 x 36.2 x 24.7 cm)
Exhibitions:
1940, Venice, 22nd Biennale Internazionale d’Arte; 2000, New York, Venetian Glass, Museum of Arts & Design; 2001, Milan, Murano:
Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
Venini, grey catalogue, n. 4873;
G. Dell’Oro, 1940, p. 54; G. Ponti, 1940, p. 69; Domus, 1951, October,
p. 29; G. Mariacher, 1954, p. 169;
R. Aloi, 1955, p. 22; A. Gasparetto, 1960, n. 37; Mille anni…, 1982, n. 531;
R. Barovier Mentasti, 1982, p. 283;
W. Neuwirth, 1987, p. 200;
F. Deboni, 1989, nn. 65, 71-73;
M. Karasik, 1989, n. 32; H. Ricke, 1990, p. 23; M. Barovier, 1991, nn. 45, 51; Vetri di Murano…, 1991, p. 119;
L’arte del vetro…, 1992, p. 251;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 59; F. Deboni, 1996, n. 197; M. Barovier, 1997,
p. 221; R. Barovier Mentasti, 1998, n. 97; M. Barovier, 1999, p. 187;
Olnick Spanu, 2000, n. 67;
Olnick Spanu, 2001, n. 101.

Photograph by Luca Vignelli
Carlo Scarpa, Venini & C., 1940
Carlo Scarpa
Murrine opache, 1940

Carlo Scarpa   Murrine opacheVenini & C., 1940

Canoe-shaped bowl made of red and black murrine with black and red murrine at the center, entirely finished at the carving wheel.
Paper label: Venini n. 4883.
13 3/16 in. x 2 5/8 in.
(31 x 6.7 cm)

Bowl made of murrine in red and black pasta vitrea with yellow and red murrine at the center, finished with light etching at the wheel.
3 in. high x 14 3/8 in.
x 9 1/8 in.
(7.6 x 36.5 x 23.2 cm)

Bowl made of murrine in red and black pasta vitrea, with black and red murrine at the center, finished with light etching at the wheel.
Original 1940s Venini paper label.
2 7/8 in. high (7.3 cm)
Ø; 11 in. (28 cm)

 

Bibliography
1940, Venice, 22nd Biennale Internazionale d’Arte;
2000, New York,
Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

 

 

Bibliography
Venini, grey catalogue, nn. 4883, 4872, 4871; G. Dell’Oro, 1940, p. 54;
G. Ponti, 1940, p. 69; Domus, 1951, October, p. 29; G. Mariacher, 1954,
p. 169; R. Aloi, 1955, p. 22;
A. Gasparetto, 1960, n. 37;
Mille anni…, 1982, n. 531;
R. Barovier Mentasti, 1982, p. 283;
W. Neuwirth, 1987, p. 200;

G. Duplani Tucci, 1989, nn. 15, 21;
F. Deboni, 1989, nn. 65, 71-73; H. Ricke, 1990, p. 23;
M. Barovier, 1991, nn. 45, 51;
Vetri di Murano…, 1991, p. 119;
L’arte del vetro…, 1992, p. 251;
M. Barovier, 1994, nn. 9, 11;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 59;

F. Deboni, 1996, n. 197;
A. Venini Diaz de Santillana, 1996, n. 113; H. Ricke, E. Schmitt, 1996, nn. 37, 38; M. Barovier, 1997, p. 221;
R. Barovier Mentasti, 1998, n. 97;
M. Barovier, 1999, p. 187; A. Venini Diaz de Santillana, 2000, n. 143;
Olnick Spanu, 2000, n. 65, 66, 67;
Olnick Spanu, 2001, n. 100.

 

Photograph by Luca Vignelli
Carlo Scarpa, Venini & C., 1940
Carlo Scarpa
Battuti, 1940

Carlo Scarpa   BattutiVenini & C., 1940

Three glass vases, one black, one yellow and one white in lattimo.
All three are cased in straw-colored glass with their entire surfaces finished at the carving wheel.

Acid stamped:
venini murano ITALIA.
16 1/4 in. high (41.2 cm)
7 5/8 in. high (19.4 cm)
14 1/4 in. high (36.2 cm)
Exhibitions:
1940, Venice, 22nd Biennale Internazionale d’Arte; 1940, Milan,
7th Triennale; 2000, New York, Venetian Glass, Museum of Arts & Design; 2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
Venini, blue catalogue, nn. 3919, 3943 A, 3939; G. Ponti, 1940, p. 70;
R. Aloi, 1945, nn. 10, 13;
M. Brusatin, 1972, p. 24;
Carlo Scarpa…, 1984, p. 185;
La verrerie…, 1988, p. 117;
F. Deboni, 1989, n. 58-63;
M. Barovier, 1991, nn. 23, 32;
R. Barovier Mentasti, 1992, n. 69;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 54;
F. Deboni, 1996, n. 193;
H. Ricke, E. Schmitt, 1996, nn. 42.43;
M. Barovier, 1997, p. 219;
M. Barovier, 1998 (b), p. 27;
M. Barovier, 1999, p. 187;
Olnick Spanu, 2000, n. 64;
R. Reif, New York Times, 2000, p. 39;

Photograph by Luca Vignelli
Carlo Scarpa, Venini & C., 1940
Carlo Scarpa
Velato, 1940

Carlo Scarpa   VelatoVenini & C., 1940

A bowl in thin, light, straw-colored glass. The entire surface is finely ground to obtain a satin finish.

Acid stamped:
venini murano.
4 5/16 in. high (11 cm)
Ø; 7 1/2 in. (19 cm)
Exhibitions:
1940, Venice, 22nd Biennale Internazionale d’Arte;
1940, Milan, 7th Triennale;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
Venini, blue catalogue, n. 3766;
G. Ponti, 1940, p. 71;
C.E. Rava, 1943, p. 131;
F. Deboni, 1989, p. 24;
M. Barovier, 1991, n. 33;
M. Barovier, 1997, p. 217;
M. Barovier, 1998 (b), p. 28;
Olnick Spanu, 2000, n. 63;
Olnick Spanu, 2001, n. 98.