Venini & C. 1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company’s production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Photograph by Luca Vignelli
Fulvio Bianconi, Venini & C., 1951
Fulvio Bianconi
A fasce ritorte, 1951

Fulvio Bianconi   A fasce ritorteVenini & C., 1951

Vase crafted with the use of glass canes in the colors of red, blue, green, and clear.

Acid stamped:
venini murano ITALIA.
8 1/2 in. high (21.6 cm)
Exhibitions:
1951, Milan, 9th Triennale;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Domus, 1951, October, p. 29;
Vetri. Quaderni…, 1951, p. 84;
Domus, 1959, December, p. 41;
R. Aloi, 1955, p. 20;
W. Neuwirrth, 1987, nn. 160, 186;
M. Heiremans, 1989, n. 201;
R. Bossaglia, 1993, p. 29, n. 57;
Tra creatività…, nn. 95-96;
Olnick Spanu, 2001, n. 130;
R. Losch, 2002, n. 59 Bi;
A. Dorigato, 2002, p. 310.

Photograph by Luca Vignelli
Fulvio Bianconi, Venini & C., 1951-1956
Fulvio Bianconi
A fasce orizzontali, 1951-1956

Fulvio Bianconi   A fasce orizzontaliVenini & C., 1951-1956

Two stoppered decanters, one in transparent blue and one in grey glass, both decorated with two applied wide opaque fascia of red glass. Matching stoppers with one applied red fascia.

Acid stamped:
venini murano ITALIA.
17 1/4 in. high (44 cm)
18 5/16 in. high (46.5 cm)
Exhibitions:
1956, Venice, 28th Biennale Internazionale d’Arte;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Venini, grey catalogue, n. 4582;
G. Ponti, 1959;
A. Gasparetto, 1960, n. 36;
W. Neuwirth, 1987, n. 34, p. 186;
F. Deboni, 1989, n. 122;
M. Heiremans, 1996, n. 166;
Designed for Delight, 1997, n. 75;
Olnick Spanu, 2000, n. 94;
Olnick Spanu, 2001, n. 129;
A. Dorigato, 2002, p. 307.

Photograph by Luca Vignelli
Fulvio Bianconi, Venini & C., 1950
Fulvio Bianconi
A fasce, 1950

Fulvio Bianconi   A fasceVenini & C., 1950

Decanter-shaped vase in transparent, turquoise-green glass decorated with two applied wide opaque fasce of glass, one red and one orange; the neck is covered
with a layer of aubergine glass.

Acid stamped:
venini murano ITALIA.
14 1/8 in. high (35.9 cm)
Exhibitions:
1950, Venice, 25th Biennale Internazionale d’Arte; 1951, Milan,
9th Triennale; 1952, Venice, 26th Biennale Internazionale d’Arte;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Venini, grey catalogue, n. 4315;
Photo n. 512, A.S.A.C., Venice;
R. Aloi, 1955, p. 13;
G. Ponti, 1959;
La Verrerie…, 1988, n. 2;
F. Deboni, 1989, n. 125;
M. Karasik, 1989, n. 20;
R. Bossaglia, 1993, n. 67;
M. Heiremans, 1993, n. 221;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, p. 64;
M. Heiremans, 1996, n. 95;
H. Ricke, E. Schmitt, 1996, n. 81;
R. Barovier Mentasti, 1998, n. 130;
Olnick Spanu, 2000, n. 93;
Olnick Spanu, 2001, n. 128;
R. Losch, 2002, n. 85 Bi.

Photograph by Luca Vignelli
Fulvio Bianconi, Venini & C., 1951-1956
Fulvio Bianconi
A fasce e a canne, 1951-1956

Fulvio Bianconi   A fasce e a canneVenini & C., 1951-1956

Vase in cristallo with horizontal fasce in aubergine, red, green, and blue glass.

Acid stamped:
venini murano ITALIA.
19 1/2 in. high (49.5 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Domus, 1956, January;
A. Gasparetto, 1958, n. 190;
F. Deboni, 1989, n. 117;
R. Bossaglia, 1993, nn. 65, 66;
M. Heiremans, 1993, n. 235;
A. Venini Diaz de Santillana, 1996, n. 156;
H. Ricke, E. Schmitt, 1996, n. 91;
A. Venini Diaz de Santillana, 2000, n. 170;
Olnick Spanu, 2000, n. 90;
Olnick Spanu, 2001, n. 127.

 

Four bottles. Two, (first and third) with horizontal fasce: the first in yellow transparent glass with an opaque aubergine fascia, the third in transparent grey with a yellow opaque fascia. The other two (second and fourth) are made with vertical canes: the second in transparent blue and green canes, the fourth in opaque yellow and transparent blue canes with a matching stopper.

Acid stamped:
venini murano ITALIA.
12 in. high (30 cm)
15 in. high (38 cm)
12 in. high (30 cm)
18 in. high (45 cm)

Bibliography and comparative texts:
R. Linzeler, 1922, p. 666;
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 83;
R. Papini, 1930, n. 570;
G. Mariacher, 1967, p. 98;
R. Barovier Mentasti, 1982, n. 252;
Mille anni…, 1982, n. 503;
F. Deboni, 1984, p. n. 70;
W. Neuwirth, 1987, nn. 7, 104;
A. Dorigato, 1986,
p. 71;
F. Deboni, 1989, n. 1;
L’arte del vetro, 1982, n. 307;
M. Heiremans, 1993, n. 191;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
A. Venini Diaz de Santillana, 1996, n. 1;
R. Barovier Mentasti, 1998, n. 25;
A. Venini Diaz de Santillana, 2000, n. 1;
Olnick Spanu, 2000, n. 8;
Olnick Spanu, 2001, n. 13.

Photograph by Luca Vignelli
Fulvio Bianconi, Venini & C., 1951
Fulvio Bianconi
A fasce orizzontali, 1951

Fulvio Bianconi   A fasce orizzontaliVenini & C., 1951

Vase in transparent straw-colored glass decorated with orange fasce.

Acid stamped:
venini murano ITALIA.
Original paper label.
9 1/2 in. high (24.1 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparison texts:
Venini, grey catalogue, n. 4400;
M. Karasik, 1989, n. 17;
Olnick Spanu, 2000, n. 89;
Olnick Spanu, 2001, n. 126.