Venini & C. 1932–2001

In 1932, when both Martinuzzi and Zecchin left the company, Paolo Venini changed the name from Vetri Soffiati Muranesi Venini & Co. (V.S.M. Venini & Co.) to Venini & C.. Milanese architect Tommaso Buzzi became the new artistic director.

After 1934, artistic direction was taken on by Carlo Scarpa, who designed most of the company’s production through 1947. Side by side with Venini, who often intervened personally in design, Scarpa created numerous collections of objects characterized by refined colors. After World War II, Venini & C. sought numerous collaborations with artists such as architect Giò Ponti and the Swedish-born Tyra Lundgren. After 1948, Fulvio Bianconi, Massimo Vignelli, and Tobia Scarpa contributed significantly to the new direction of the company.

Paolo Venini died in 1959 and his son-in-law, Ludovico Diaz de Santillana, took over the management of Venini & C. He not only worked personally as a glass designer but also continued the collaboration started by Paolo Venini with various artists and designers. Starting in 1960, many other designers collaborated with the company, like Thomas Stearns, Toni Zuccheri, Tapio Wirkkala, Laura and Alessandro Diaz de Santillana, James Carpenter, Dan Dailey, Richard Marquis, Benjamin Moore, and Toots Zynsky. In 1986, the de Santillana family left the company, selling their stock to the Ferruzzi group, which guaranteed the fine quality Venini was known for by hiring new designers such as Timo Sarpaneva, Marco Zanini, Ettore Sottsass Jr., Alessandro Mendini, Mario Bellini, Barbara del Vicario, and others.

In 1988, Venini was acquired by Royal Scandinavian. Since 2001, Venini S.p.A. has been part of Italian Luxury Industries Group and is led by Giancarlo Chimento, Giuliano Tabacchi, and Giorgio Rizzo.

Photograph by Luca Vignelli
Alessandro Diaz de Santillana, Venini & C., 1984
Alessandro Diaz de Santillana
Coccio, 1984

Alessandro Diaz de Santillana   CoccioVenini & C., 1984

A white vase composed of lattimo murrine decorated with an abstract pattern of black glass and finished with the applications of gold leaf.

7 in. high (17.8 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
A. Venini Diaz de Santillana, 1996, n. 261;
Venini Venezia, 1998, p. 79;
A. Venini Diaz de Santillana, 2000, n. 267;
Olnick Spanu, 2000, n. 152;
Olnick Spanu, 2001, n. 190.

Photograph by Luca Vignelli
Laura Diaz de Santillana, Venini & C., 1979
Laura Diaz de Santillana
Glicine, 1979

Laura Diaz de Santillana   GlicineVenini & C., 1979

A plate with cristallo, yellow, amethyst, and blue pale murrine arranged to replicate a wisteria pattern.

Engraved: venini italia 79 100/3 Laura.
Ø; 10 5/8 in. (27 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
A. Venini Diaz de Santillana, 1996, n. 255;
A. Venini Diaz de Santillana, 2000, n. 262;
Olnick Spanu, 2000, n. 151;
Olnick Spanu, 2001, n. 189.

Photograph by Luca Vignelli
James Carpenter, Venini & C., 1980
James Carpenter
Calabash, 1980

James Carpenter   CalabashVenini & C., 1980

An opaque yellow glass plate decorated with a spiraling pattern of red and turquoise glass canes.

Engraved: venini Italia 84.
Ø; 11 1/8 in. (28.2 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Murano oggi…, 1981, nn. 331-332;
G. Duplani Tucci, 1989, p. 93;
A. Venini Diaz de Santillana, 1996, n. 251; M. Barovier, 1999, p. 319;
A. Venini Diaz de Santillana, 2000, n. 254;
Olnick Spanu, 2000, n. 150;
Olnick Spanu, 2001, n. 188.

Photograph by Luca Vignelli
James Carpenter, Venini & C., 1980
James Carpenter
Calabash, 1980

James Carpenter   CalabashVenini & C., 1980

Three opaque glass vessels.
The one on the left is yellow with a jagged green and blue pattern outlined in red; the one in the middle is black with turquoise and red; the bowl on the right is white with green and yellow glass.

Engraved: venini italia.
8 1/4 in. high (21 cm)
12 1/4 in. high (31.1 cm)
5 9/16 in. high (14.2 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Murano oggi…, 1981, nn. 331-332;
G. Duplani Tucci, 1989, p. 93;
A. Venini Diaz de Santillana, 1996, n. 251; M. Barovier, 1999, p. 319;
A. Venini Diaz de Santillana, 2000, n. 254;
Olnick Spanu, 2000, n. 149;
Olnick Spanu, 2001, n. 187.

Photograph by Luca Vignelli
James Carpenter, Venini & C., ca. 1979
James Carpenter
Prototipo, ca. 1979

James Carpenter   PrototipoVenini & C., ca. 1979

A prototype vessel composed of spiraling horizontal ritorte (canes)
in turquoise green and black.

Engraved: Carpenter, Venini.
4 3/4 in. high (12.1 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
M. Barovier, 1999, p. 288;
Olnick Spanu, 2000, n. 148;
Olnick Spanu, 2001, n. 186.