Born in Venice, Alessandro Pianon attended the Architecture School in Venice and used his talents to become an architect and designer. He was hired by the Vetreria Vistosi in 1956 to design the company logo and ended up designing numerous collections of glass. In 1962 he started his own design studio and worked for many companies, including Lumenform.
A group of Pulcini made of transparent glass decorated with murrine and multicolored rods.
Feet crafted in copper.
7 1/8 in. to 11 7/8 in. high
(18.1 to 30.2 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.
Bibliography and comparative texts:
Domus, 1962, April;
B. Nerozzi, 1987, nn. 130-133;
M. Heiremans, 1989, nn. 230, 231;
M. Karasik, 1989, n. 36;
R. Barovier Mentasti, 1992, n. 119;
M. Heiremans, 1993, n. 249;
F. Deboni, 1996, n. 243;
M. Heiremans, 1996, nn. 209, 211, 212;
M. Barovier, 1996, n. 103;
M. Barovier, 1999, p. 275;
Olnick Spanu, 2000, n. 143;
Olnick Spanu, 2001, n. 181;
A. Dorigato, 2002, p. 333.
The descendant of a family who had been Murano glassmakers for hundreds of years, Guglielmo Vistosi opened the Vistosi furnace in 1945 to produce glass components for lighting. After his death in 1952, the direction of the company was taken over by his brother Oreste and his nephews Gino and Luciano. They carried on the line of production, serving as designers as well. Vistosi also sought the collaboration of many independent artists and professionals such as Alessandro Pianon, Peter Pelzel, and Fulvio Bianconi. During the '60s, the company, successful for its essential forms and the sobriety of its colors, received many awards. During the following decade, its pieces were designed by Angelo Mangiarotti, Enrico Capuzzo, Gae Aulenti, Vico Magistretti, Elenore Peduzzi Riva, and Ettore Sottsass Jr. After the company's change of ownership, the furnace produced glass components for lighting until it was closed in the early '90s.
Pulcino made of orange trasparente glass, decorated with granzeoli made of glass grit. Feet crafted
in copper.
8 1/4 in. high (22.2 cm)
Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.
Bibliography and comparative texts:
Domus, 1962, April;
B. Nerozzi, 1987, nn. 130-133;
M. Heiremans, 1989, nn. 230, 231;
M. Karasik, 1989, n. 36;
R. Barovier Mentasti, 1992, n. 119;
M. Heiremans, 1993, n. 249;
F. Deboni, 1996, n. 243;
M. Heiremans, 1996, nn. 209, 211, 212;
M. Barovier, 1996, n. 103;
M. Barovier, 1999, p. 275;
Olnick Spanu, 2000, n. 143;
Olnick Spanu, 2001, n. 180.
The descendant of a family who had been Murano glassmakers for hundreds of years, Guglielmo Vistosi opened the Vistosi furnace in 1945 to produce glass components for lighting. After his death in 1952, the direction of the company was taken over by his brother Oreste and his nephews Gino and Luciano. They carried on the line of production, serving as designers as well. Vistosi also sought the collaboration of many independent artists and professionals such as Alessandro Pianon, Peter Pelzel, and Fulvio Bianconi. During the '60s, the company, successful for its essential forms and the sobriety of its colors, received many awards. During the following decade, its pieces were designed by Angelo Mangiarotti, Enrico Capuzzo, Gae Aulenti, Vico Magistretti, Elenore Peduzzi Riva, and Ettore Sottsass Jr. After the company's change of ownership, the furnace produced glass components for lighting until it was closed in the early '90s.