Archimede Seguso 1909–1999

Born on Murano and the son of the maestro Antonio Seguso, Archimede Seguso began work at a very early age in the Vetreria Artistica Barovier, where his father was a partner. In 1933, he was one of the founding partners of the Artistica Vetreria e Soffieria Barovier Seguso & Ferro, which was later to become the Seguso Vetri d’Arte. Here, Archimede worked asmaestro of the principal team crafting the pieces designed by Flavio Poli, and later his own pieces inspired by the Novecento style. He sold his share of the workshop to his partners and, in 1946, founded a new workshop, the Vetreria Artistica Archimede Seguso, where he was first maestro and creator of almost all the works produced there. The first glass pieces were still inspired by the Novecento, as were his sculptures modeled in hot glass; at the same time he experimented with thin blown glass textured in many ways, adapting ancient decorative techniques to the styles of the ’50s such as, for example, the variations of filigrana that he presented throughout the decade (Merletti, Composizione Lattimo, Piume, etc.). During the ’60s and ’70s, he created intensely colored glass works such as the colori sovrapposti and the fasce sovrapposte, and further pushed the filigrana technique with his Spinati, and a petali glass pieces. Later on, he based his production on strong contrasting colors. Among his last works is the series of sculptures called Rotture, conceived as original works and made in solid massiccio sommerso glass, a realization of the profound reflections of this artist who later died on the island of Murano.

Photograph by Luca Vignelli
Sfumato
Vetreria Archimede Seguso, 1954

Archimede Seguso SfumatoVetreria Archimede Seguso, 1954

A vessel in transparent red glass with one large aperture, two side lips and a stylized handle; inclusions of gold leaf throughout.

11 1/2 in. high (29 cm)

Bibliography and comparative texts:
R. Linzeler, 1922, p. 666;
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 83;
R. Papini, 1930, n. 570;
G. Mariacher, 1967, p. 98;
R. Barovier Mentasti, 1982, n. 252;
Mille anni…, 1982, n. 503;
F. Deboni, 1984, p. n. 70;
W. Neuwirth, 1987, nn. 7, 104;
A. Dorigato, 1986, p. 71;
F. Deboni, 1989, n. 1;
L’arte del vetro, 1982, n. 307;
M. Heiremans, 1993, n. 191;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
A. Venini Diaz de Santillana, 1996, n. 1;
R. Barovier Mentasti, 1998, n. 25;
A. Venini Diaz de Santillana, 2000, n. 1;
Olnick Spanu, 2000, n. 8;
Olnick Spanu, 2001, n. 13.

Vetreria Archimede Seguso  1946–

Vetreria Archimede Seguso was founded in 1946 by Archimede Seguso, partner and glassmaster at Seguso Vetri d'Arte until 1942. Seguso was not only the tireless creator of almost all the collections produced by Vetreria Archimede Seguso, he executed his own works and experimented with new techniques and materials. He participated in the Biennali di Venezia and the Triennali di Milano from 1950 on, presenting, among other things, his own personal interpretations of the ancient technique of filigrana. His interpretaions, vessels often enriched with applications of gold leaf, he called Merletti. The company is now run by his son Gino Seguso, with the assistance of his grandson Antonio Seguso.

Sfumato
Vetreria Archimede Seguso, 1954
Photograph by Luca Vignelli
Ritorto a coste
Vetreria Archimede Seguso, 1950

Archimede Seguso Ritorto a costeVetreria Archimede Seguso, 1950

Vase in translucent red glass with twisted ribbing and inclusions of gold leaf.

11 3/8 in. high (28.9 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
U. Franzoi, 1991, n. 35;
R. Barovier Mentasti, 1995, n. 3;
Olnick Spanu, 2000, n. 117;
Olnick Spanu, 2001, n. 157.

 

A vessel in transparent red glass with one large aperture, two side lips and a stylized handle; inclusions of gold leaf throughout.

11 1/2 in. high (29 cm)

Bibliography and comparative texts:
R. Linzeler, 1922, p. 666;
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 83;
R. Papini, 1930, n. 570;
G. Mariacher, 1967, p. 98;
R. Barovier Mentasti, 1982, n. 252;
Mille anni…, 1982, n. 503;
F. Deboni, 1984, p. n. 70;
W. Neuwirth, 1987, nn. 7, 104;
A. Dorigato, 1986,
p. 71;
F. Deboni, 1989, n. 1;
L’arte del vetro, 1982, n. 307;
M. Heiremans, 1993, n. 191;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
A. Venini Diaz de Santillana, 1996, n. 1;
R. Barovier Mentasti, 1998, n. 25;
A. Venini Diaz de Santillana, 2000, n. 1;
Olnick Spanu, 2000, n. 8;
Olnick Spanu, 2001, n. 13.

Vetreria Archimede Seguso  1946–

Vetreria Archimede Seguso was founded in 1946 by Archimede Seguso, partner and glassmaster at Seguso Vetri d'Arte until 1942. Seguso was not only the tireless creator of almost all the collections produced by Vetreria Archimede Seguso, he executed his own works and experimented with new techniques and materials. He participated in the Biennali di Venezia and the Triennali di Milano from 1950 on, presenting, among other things, his own personal interpretations of the ancient technique of filigrana. His interpretaions, vessels often enriched with applications of gold leaf, he called Merletti. The company is now run by his son Gino Seguso, with the assistance of his grandson Antonio Seguso.

Ritorto a coste
Vetreria Archimede Seguso, 1950
Photograph by Luca Vignelli
Zig zag
Vetreria Archimede Seguso, 1951

Archimede Seguso Zig zagVetreria Archimede Seguso, 1951

Vase in clear transparent glass with inclusions of sections of lattimo and red glass canes laid out in a zig zag pattern. The surface is lightly decorated with the application of a gold leaf.

A similar work is part of
the collection of the Metropolitan Museum of Art in New York.
6 7/8 in. high (17.5 cm)

Exhibitions:
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
U. Franzoi, 1991, n. 36;
Olnick Spanu, 2001, n. 156.

Vetreria Archimede Seguso  1946–

Vetreria Archimede Seguso was founded in 1946 by Archimede Seguso, partner and glassmaster at Seguso Vetri d'Arte until 1942. Seguso was not only the tireless creator of almost all the collections produced by Vetreria Archimede Seguso, he executed his own works and experimented with new techniques and materials. He participated in the Biennali di Venezia and the Triennali di Milano from 1950 on, presenting, among other things, his own personal interpretations of the ancient technique of filigrana. His interpretaions, vessels often enriched with applications of gold leaf, he called Merletti. The company is now run by his son Gino Seguso, with the assistance of his grandson Antonio Seguso.

Zig zag
Vetreria Archimede Seguso, 1951
Photograph by Luca Vignelli
Merletto puntiforme
Vetreria Archimede Seguso, 1954

Archimede Seguso Merletto puntiformeVetreria Archimede Seguso, 1954

Globular vase made of transparent glass and decorated with threads of merletto lattimo with the addition of controlled puntini, spots of amethyst glass. Applied amethyst lip wrap.

9 7/16 in. high (24 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
U. Franzoi, 1991, nn. 22, 86;
R. Barovier Mentasti, 1995, n. 39;
F. Deboni, 1996, n. 130;
H. Ricke, E. Schmitt, 1996, n. 180;
I merletti…, 1999, p. 11;
Olnick Spanu, 2000, n. 115;
Olnick Spanu, 2001, n. 155.

Vetreria Archimede Seguso  1946–

Vetreria Archimede Seguso was founded in 1946 by Archimede Seguso, partner and glassmaster at Seguso Vetri d'Arte until 1942. Seguso was not only the tireless creator of almost all the collections produced by Vetreria Archimede Seguso, he executed his own works and experimented with new techniques and materials. He participated in the Biennali di Venezia and the Triennali di Milano from 1950 on, presenting, among other things, his own personal interpretations of the ancient technique of filigrana. His interpretaions, vessels often enriched with applications of gold leaf, he called Merletti. The company is now run by his son Gino Seguso, with the assistance of his grandson Antonio Seguso.

Merletto puntiforme
Vetreria Archimede Seguso, 1954
Photograph by Luca Vignelli
Composizione Lattimo
Vetreria Archimede Seguso, 1954

Archimede Seguso Composizione LattimoVetreria Archimede Seguso, 1954

Vase in cristallo glass with the
lower part crafted with canes of mezza filigrana.

13 in. high (33 cm)
Exhibitions:
1954, Venice, 27th Biennale Internazionale d’Arte;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
G. Mariacher, 1967, p. 135;
R. Barovier Mentasti, 1982, n. 311;
Mille anni…, 1982, n. 625;
M. Heiremans, 1989, n. 109;
U. Franzoi, 1991, nn. 26, 87-90;
M. Heiremans, 1993, nn. 122, 123;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 119;
Venezia e la Biennale…, 1995, n. 484;
F. Deboni, 1996, n. 129;
M. Heiremans, 1996, n. 147;
H. Ricke, E. Schmitt, 1996, nn. 185, 186;
Olnick Spanu, 2000, n. 113;
Olnick Spanu, 2001, n. 153.

Vetreria Archimede Seguso  1946–

Vetreria Archimede Seguso was founded in 1946 by Archimede Seguso, partner and glassmaster at Seguso Vetri d'Arte until 1942. Seguso was not only the tireless creator of almost all the collections produced by Vetreria Archimede Seguso, he executed his own works and experimented with new techniques and materials. He participated in the Biennali di Venezia and the Triennali di Milano from 1950 on, presenting, among other things, his own personal interpretations of the ancient technique of filigrana. His interpretaions, vessels often enriched with applications of gold leaf, he called Merletti. The company is now run by his son Gino Seguso, with the assistance of his grandson Antonio Seguso.

Composizione Lattimo
Vetreria Archimede Seguso, 1954