Napoleone Martinuzzi 1892–1977

The son of a glassworker from Murano, Napoleone Martinuzzi was a sculptor, designer, and businessman. He attended the Accademia di Belle Arti di Venezia, and later joined the secessionist group of Cà Pesaro, where he exhibited his sculptures in 1908. From 1917 on, he was Gabriele D’Annunzio’s favorite artist and he designed a funeral monument for him, as well as sculpture and many works in glass, which may still be seen today at the Vittoriale. Between 1921 and 1931, he directed the Museo Vetrario di Murano, and in 1925 he became a partner and artistic director at the Vetri Soffiati Muranesi Venini & C. After carrying on the concepts defined by his predecessor, Vittorio Zecchin, and creating beautifully transparent blown glass pieces, he elaborated on his own distinct style, directly derived from his experience as a Novecento sculptor. In 1928, he made his first pieces in pulegoso glass, giving life to a sculptural series of vessels with impressive shapes and vivid colors, as well as an unusual collection of cacti, fruits, and animals. After leaving Venini, in 1932 he founded Zecchin-Martinuzzi Vetri Artistici e Mosaici with Francesco Zecchin, for which he designed figures of animals and cacti, opaque vessels with classical shapes, and female nudes in solid massiccio glass. He became artistic director of Alberto Seguso’s Arte Vetro, where he made glass sculptures shaped while hot. Between 1953 and 1958, he designed chandeliers and glass tiles for the Vetreria Cenedese. In the ’60s and ’70s, he designed works produced by Alfredo Barbini for Pauly & C.

Photograph by Luca Vignelli
Incamiciato
V.S.M. Venini & C., 1930

Napoleone Martinuzzi IncamiciatoV.S.M. Venini & C., 1930

Vessel in lattimo glass with foot
and a morise decoration in black
pasta vitrea.

11 3/4 in. high (29.8 cm)

Ø; 7 1/4 in. (18.4 cm)

Exhibitions:
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Venini Catalogue, n. 3282;
Gli anni di…, 1987, n. 33;
R. Bossaglia, M. Quesada, 1988,
n. 339;
F. Deboni, 1989, n. 31;
Duplani Tucci, 1989, n. 17;
Olnick Spanu, 2001, n. 29.

V.S.M. Venini & C.  1925–1932

In 1925, following the closing of Cappellin Venini & C., Paolo Venini founded his own glass company, which he called Vetri Soffiati Muranesi Venini & C. (V.S.M. Venini & C.). While the company, under the artistic direction of sculptor Napoleone Martinuzzi, produced collections designed by Vittorio Zecchin, it soon became known for the pulegosi, an original style created by Venini and Martinuzzi.

In 1932, both Martinuzzi and Zecchin left the company. Paolo Venini changed the name of the company to Venini & C. and Milanese architect Tommaso Buzzi became the new artistic director.

Incamiciato
V.S.M. Venini & C., 1930
Photograph by Luca Vignelli
Incamiciato
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1932

Napoleone Martinuzzi IncamiciatoZecchin-Martinuzzi Vetri Artistici e Mosaici, 1932

Vase in lattimo glass cased in turquoise glass with two handles and foot decorated with applications of gold leaf.

13 1/4 in. high (33.6 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Mille anni…, 1982, n. 541;
M. Barovier, 1992, nn. 62, 63;
Olnick Spanu, 2000, n. 15;
Olnick Spanu, 2001, n. 28.

Zecchin-Martinuzzi Vetri Artistici e Mosaici  1932–1938

In 1932, the two Muranese partners of Paolo Venini—engineer Francesco Zecchin and the sculptor and designer Napoleone Martinuzzi—left the Vetri Soffiati Muranesi Venini & C. and founded their own company: Zecchin-Martinuzzi Vetri Artistici e Mosaici. Its production was directed by Martinuzzi who, inspired by the sculptural qualities of the Novecento movement, created large vessels in opaque glass, animals, and cactus in pasta vitrea and female nudes in massiccio glass. In some cases, the company also collaborated with Mario Romano and Giovanni Guerrini. Napoleone Martinuzzi left the company in 1936, and after two years Francesco Zecchin closed it for good.

Incamiciato
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1932
Photograph by Luca Vignelli
Pasta vitrea
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Napoleone Martinuzzi Pasta vitreaZecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Vessel in coral pasta vitrea with applied small handles and base.

Original paper label.
7 3/4 in. high (19.7 cm)

Exhibitions:
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Catalogue Zecchin-Martinuzzi,
n. 2432;
Olnick Spanu, 2001, n. 27.

Zecchin-Martinuzzi Vetri Artistici e Mosaici  1932–1938

In 1932, the two Muranese partners of Paolo Venini—engineer Francesco Zecchin and the sculptor and designer Napoleone Martinuzzi—left the Vetri Soffiati Muranesi Venini & C. and founded their own company: Zecchin-Martinuzzi Vetri Artistici e Mosaici. Its production was directed by Martinuzzi who, inspired by the sculptural qualities of the Novecento movement, created large vessels in opaque glass, animals, and cactus in pasta vitrea and female nudes in massiccio glass. In some cases, the company also collaborated with Mario Romano and Giovanni Guerrini. Napoleone Martinuzzi left the company in 1936, and after two years Francesco Zecchin closed it for good.

Pasta vitrea
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933
Photograph by Luca Vignelli
Incamiciato
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Napoleone Martinuzzi IncamiciatoZecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Footed bowl in lattimo glass cased in amethyst glass. Foot decorated with a twisted cord.

7 1/4 in. high (18.4 cm)

Exhibitions:
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Olnick Spanu, 2001, n. 26.

Zecchin-Martinuzzi Vetri Artistici e Mosaici  1932–1938

In 1932, the two Muranese partners of Paolo Venini—engineer Francesco Zecchin and the sculptor and designer Napoleone Martinuzzi—left the Vetri Soffiati Muranesi Venini & C. and founded their own company: Zecchin-Martinuzzi Vetri Artistici e Mosaici. Its production was directed by Martinuzzi who, inspired by the sculptural qualities of the Novecento movement, created large vessels in opaque glass, animals, and cactus in pasta vitrea and female nudes in massiccio glass. In some cases, the company also collaborated with Mario Romano and Giovanni Guerrini. Napoleone Martinuzzi left the company in 1936, and after two years Francesco Zecchin closed it for good.

Incamiciato
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933
Photograph by Luca Vignelli
Pasta vitrea
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Napoleone Martinuzzi Pasta vitreaZecchin-Martinuzzi Vetri Artistici e Mosaici, 1933

Coral red-footed vase composed of pasta vitrea with an applied twisted red glass side handle. Both foot and handle are decorated with gold leaf.

Paper label: Pauly & C.,
Pauly & C., a Venetian retail showroom, always affixed its own label to the Muranese glass it sold.
12 13/16 in. high (32.5 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
M. Barovier, 1992, n. 40;
Olnick Spanu, 2000, n. 16;
Olnick Spanu, 2001, n. 25.

Zecchin-Martinuzzi Vetri Artistici e Mosaici  1932–1938

In 1932, the two Muranese partners of Paolo Venini—engineer Francesco Zecchin and the sculptor and designer Napoleone Martinuzzi—left the Vetri Soffiati Muranesi Venini & C. and founded their own company: Zecchin-Martinuzzi Vetri Artistici e Mosaici. Its production was directed by Martinuzzi who, inspired by the sculptural qualities of the Novecento movement, created large vessels in opaque glass, animals, and cactus in pasta vitrea and female nudes in massiccio glass. In some cases, the company also collaborated with Mario Romano and Giovanni Guerrini. Napoleone Martinuzzi left the company in 1936, and after two years Francesco Zecchin closed it for good.

Pasta vitrea
Zecchin-Martinuzzi Vetri Artistici e Mosaici, 1933