Massimo Vignelli  1931–2014

Massimo Vignelli studied architecture in Milan and Venice. While in Venice as a student, he worked for Venini from 1953 to 1957, designing lighting fixtures, glass windows, drinking glasses, and pitchers. Most of the pieces he designed are today in museum collections, notably the Museum of Modern Art and the Metropolitan Museum of Art in New York, the Musée des Arts Décoratifs in Montreal, Die Neue Sammlung in Munich, and others. A monographic exhibition of the Vignellis' work toured Europe between 1989 and 1993. Over the course of his career, Vignelli worked across the field of design, from graphic identity programs to publications, from products in glass, china, silver, and plastic to furniture and interiors. His work has been widely recognized by museums, publications and exhibitions throughout the world. Among Vignelli's impressive awards are the Gran Premio Triennale di Milano, 1964; Compasso d'Oro, 1964 and 1998; the AIA 1973 Industrial Arts Medal; the Art Directors Club 1982 Hall of Fame; the 1983 AIGA Gold Medal; the first Presidential Design Award; the Interior Design Hall of Fame, 1988; the National Arts Club Gold Medal for Design, 1991; the Interior Product Designers Fellowship of Excellence, 1992; and the Brooklyn Museum Design Award for Lifetime Achievement, 1995. He was awarded an Honorary Doctorate in Architecture from the University of Venice, Italy, and Honorary Doctorates in Fine Arts from Parsons School of Design, Pratt Institute, Rhode Island School of Design, and Corcoran School of Art. In 1996 he received the Honorary Royal Designer for Industry Award from the Royal Society of Arts, London.

B.B.P.R.  

Paolo Venini  1895–1959

Born in Milan, the entrepreneur and designer Paolo Venini was a law school graduate. From 1921 until he died, he dedicated himself to the workshop he founded, the Vetri Soffiati Muranesi Venini & C. (through 1925, Vetri Soffiati Muranesi Cappellin Venini & C.). A man of marked entrepreneurial talent, his goal from the very beginning was to expand his company's influence abroad and he sought the collaboration of the most talented artists and architects of his time, employing them as artistic directors of his company. He always worked at the side of his designers with the goal of anticipating and directing taste. He personally checked every collection produced by his furnace. And his confident aesthetic choices, along with the fine quality of the products, assured his workshop both critical and commercial success. He dedicated himself personally to design from the '30s: his Diamante glass pieces date from 1936, and he created the murrine romane in collaboration with Carlo Scarpa. Following the war, he created bottles with brightly colored stripes, vessels in mosaico zanfirico and mosaico tessuto, glass mosaic windows, and engraved vessels. In collaboration with Bianconi, he created vessels such as the fazzoletti, which are a classic example of the production of the '50s, and were enormously successful.

Paolo Venini  1895–1959

Born in Milan, the entrepreneur and designer Paolo Venini was a law school graduate. From 1921 until he died, he dedicated himself to the workshop he founded, the Vetri Soffiati Muranesi Venini & C. (through 1925, Vetri Soffiati Muranesi Cappellin Venini & C.). A man of marked entrepreneurial talent, his goal from the very beginning was to expand his company's influence abroad and he sought the collaboration of the most talented artists and architects of his time, employing them as artistic directors of his company. He always worked at the side of his designers with the goal of anticipating and directing taste. He personally checked every collection produced by his furnace. And his confident aesthetic choices, along with the fine quality of the products, assured his workshop both critical and commercial success. He dedicated himself personally to design from the '30s: his Diamante glass pieces date from 1936, and he created the murrine romane in collaboration with Carlo Scarpa. Following the war, he created bottles with brightly colored stripes, vessels in mosaico zanfirico and mosaico tessuto, glass mosaic windows, and engraved vessels. In collaboration with Bianconi, he created vessels such as the fazzoletti, which are a classic example of the production of the '50s, and were enormously successful.

Fulvio Bianconi  1915–1996

Fulvio Bianconi was a graphic artist, caricaturist, and designer. Born in Padua, he attended the Istituto d'Arte and the Accademia di Belle Arti in Venice. He first encountered glass at age fifteen when he studied decoration with enamels under the guidance of Michele Pinto. During the late '30s, he worked as a caricaturist, graphic artist, and illustrator for various publishing houses such as Mondadori, Rizzoli, Garzanti, and others. After World War II, he came to Murano to study glass techniques and met Paolo Venini. A productive relationship ensued as he began a collaboration with Venini in 1947 that lasted through the entire decade of the '50s. One of his most characteristic works is the long series of stylized figurines which Bianconi designed at the end of the '40s, taking his inspiration from the Italian Commedia dell'Arte. His pezzati vessels proved extraordinary due to their richness in color, as were the fazzoletti, presented in several different vitreous textures, which he created with Venini himself. He obtained widespread acclaim for the a Macchie and Fasce orrizontali series, in which Bianconi revealed a marked painterly vocation. In the '50s, he worked with other workshops such as the Vetreria Cenedese, designing vessels with applications and other pieces with cased decorations. From 1958 to 1961, he designed glass pieces for I.V.R. Mazzega. In 1963, he designed for the Vetreria Vistosi. And in 1967, he began working again with Venini, creating vessels with unusual shapes such as the Informale (1968). After another contact with Venini in 1989, he designed for De Majo from 1991 to 1992.