Seguso Vetri d’Arte 1937–1972

In 1933, several maestri who had left Vetreria Artistica Barovier, together with Archimede, Ernesto, and Alberto Seguso, founded the Vetreria e Soffieria Barovier Seguso & Ferro. Muranese painter Vittorio Zecchin took on the art direction for a short time with Flavio Poli replacing him in 1934.

The company was reorganized in 1937 to become Seguso Vetri d’Arte. At this time, Poli also became a partner, and with the assistance of the maestro Archimede Seguso, they created animals and sculptures in thick glass, which were widely acclaimed at the Biennali of that period. After a new company reorganization in the ’50s and ’60s, the glasshouse produced a remarkable series of sommersi pieces, as well as the Valve and the unique Siderali pieces. The latter were designed by Poli, who remained in the company until 1963. After he left, Mario Pinzoni took over the artistic direction and remained stylistically faithful to his predecessor. Since the early ’60s, the company has been directed by Maurizio Albarelli.

Photograph by Luca Vignelli
Flavio Poli, Seguso Vetri d'Arte, 1952
Flavio Poli
Siderale, 1952

Flavio Poli   SideraleSeguso Vetri d'Arte, 1952

Vase in clear cristallo glass with the inclusion of a large multicolored murrina crafted in concentric circles.

12 3/4 high (32.5 cm)
Exhibitions:
1952, Venice, 26th Biennale Internazionale d’Arte;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Domus, September 1954;
R. Aloi, 1955, p. 7;
A. Gasparetto, 1960, tb. LII;
W. Neuwirth, 1987, n. 196;
M. Heiremans, 1989, n. 123;
M. Heiremans, 1993, n. 144;
F. Deboni, 1996, n. 146;
M. Heiremans, 1996, n. 121;
Olnick Spanu, 2001, n. 152.

Photograph by Luca Vignelli
Flavio Poli, Seguso Vetri d'Arte, 1954
Flavio Poli

Flavio Poli   ValvaSeguso Vetri d'Arte, 1954

A sculptural vase shaped like a clam shell; composed of transparent grey sommerso in cristallo glass.

17 7/8 in high (45.5 cm)
Exhibitions:
1954, Venice, 27th Biennale Internazionale d’Arte;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
Domus, September, 1954;
R. Aloi, 1955, p.2;
G. Mariacher, 1967, p. 141;
R. Barovier Mentasti, 1977, n. 136;
Mille anni…, 1982, n. 639;
Die funfziger…, 1984, n. 10;
W. Neuwirth, 1987, n. 223;
La verrerie…, 1988, nn. 1, 6;
M. Heiremans, 1989, n. 113;
M. Karasik, 1989, n. 45;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 112;
M. Heiremans, 1996, n. 120;
H. Ricke, E. Schmitt, 1996, n. 13;
M. Barovier, 1999, p. 209;
Olnick Spanu, 2000, n. 112;
Olnick Spanu, 2001, n. 151.