Photograph by Luca Vignelli

Barovier & Toso 1942–

In 1936, Ercole Barovier became partner of the S.A.I.A.R. Ferro Toso, forming Ferro Toso e Barovier. In 1939, it became Barovier Toso & C., and finally, in 1942, its name was changed to Barovier & Toso.

Ercole Barovier remained artistic director of the company through 1972 and was succeeded by his son, Angelo, who was already a designer for the company. Beginning in the ’80s and continuing through today, many have designers collaborated with Barovier & Toso. Among them are Matteo Thun, Toni Zuccheri, Renato and Giusto Toso, and Noti Massari. The company’s most recent productions have been created by designers like Roberto Caddeo, Marco Mencacci, Franco Raggi, Luca Scacchetti, and others. Barovier & Toso is currently directed by Angelo, his son Jacopo, and Giovanni Toso.

Photograph by Luca Vignelli
Ermanno Toso, Barovier & Toso, 1961–1963
Ermanno Toso
Intarsio, 1961–1963
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Photograph by Luca Vignelli

Ermanno Toso   IntarsioBarovier & Toso, 1961–1963

Vase composed of grey and red triangular shaped transparent glass patchessommersi in cristallo.

12 in. high (30 cm)

Bibliography and comparative texts:
R. Linzeler, 1922, p. 666;
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 83;
R. Papini, 1930, n. 570;
G. Mariacher, 1967, p. 98;
R. Barovier Mentasti, 1982, n. 252;
Mille anni…, 1982, n. 503;
F. Deboni, 1984, p. n. 70;
W. Neuwirth, 1987, nn. 7, 104;
A. Dorigato, 1986, p. 71;
F. Deboni, 1989, n. 1;
L’arte del vetro, 1982, n. 307;
M. Heiremans, 1993, n. 191;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
A. Venini Diaz de Santillana, 1996, n. 1;
R. Barovier Mentasti, 1998, n. 25;
A. Venini Diaz de Santillana, 2000, n. 1;
Olnick Spanu, 2000, n. 8;
Olnick Spanu, 2001, n. 13.

Photograph by Luca Vignelli
Ermanno Toso, Barovier & Toso, 1984
Ermanno Toso
Caccia, 1984
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Photograph by Luca Vignelli

Ermanno Toso   CacciaBarovier & Toso, 1984

Cylindrical vase composed of two alternating glass bands. One band is made of circular cristallo, lattimoand blue tessere, the other is Diamond-shaped cristalloand black tessere.

9 in. high (23 cm)

Bibliography and comparative texts:
R. Linzeler, 1922, p. 666;
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 83;
R. Papini, 1930, n. 570;
G. Mariacher, 1967, p. 98;
R. Barovier Mentasti, 1982, n. 252;
Mille anni…, 1982, n. 503;
F. Deboni, 1984, p. n. 70;
W. Neuwirth, 1987, nn. 7, 104;
A. Dorigato, 1986, p. 71;
F. Deboni, 1989, n. 1;
L’arte del vetro, 1982, n. 307;
M. Heiremans, 1993, n. 191;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
A. Venini Diaz de Santillana, 1996, n. 1;
R. Barovier Mentasti, 1998, n. 25;
A. Venini Diaz de Santillana, 2000, n. 1;
Olnick Spanu, 2000, n. 8;
Olnick Spanu, 2001, n. 13.

Photograph by Luca Vignelli
Ercole Barovier, Barovier & Toso, 1970
Ercole Barovier
Rotellato, 1970
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Photograph by Luca Vignelli

Ercole Barovier   RotellatoBarovier & Toso, 1970

A footed vase composed of circular tessere a dentelli, with indentations in cristallo, blue, and red glass.

11 in. high (28 cm)
Exhibitions:
1970, Venice, 35th Biennale Internazionale d’Arte;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
A. Dorigato, 1989, n. 117;
M. Barovier, 1993, nn. 178, 179;
M. Barovier, R. Barovier Mentasti,
A. Dorigato 1995, n. 184;
F. Deboni, 1996, n. 50;
M. Heiremans, 1996, n. 255;
M. Barovier, 1999, p. 277;
Olnick Spanu, 2000, n. 132;
Olnick Spanu, 2001, n. 167.

Photograph by Luca Vignelli
Ercole Barovier, Barovier & Toso, 1969
Ercole Barovier
Christian Dior, 1969
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Photograph by Luca Vignelli

Ercole Barovier   Christian DiorBarovier & Toso, 1969

Stoppered decanter in a Scottish plaid pattern. The design was achieved by intersecting canes of blue and cristallo glass with canes of green and cristallo. This very limited series was originally produced for the French clothing designer Christian Dior.

Engraved: Christian Dior.
9 9/16 in. high (24.3 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
M. Barovier, 1993, n. 177;
F. Deboni, 1996, n. 57;
H. Ricke, E. Schmitt, 1996, n. 269;
Olnick Spanu, 2000, n. 131;
Olnick Spanu, 2001, n. 166.

Photograph by Luca Vignelli
Ercole Barovier, Barovier & Toso, 1962
Ercole Barovier
Tessere policrome, 1962
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Photograph by Luca Vignelli

Ercole Barovier   Tessere policromeBarovier & Toso, 1962

Bowl composed of cristallo tessere. The top portion is a band of rectangular tessere outlined in aubergine; the lower portion is composed of circular murrine in red, lattimo, and blue connected by
an aubergine line.

Engraved: Ercole Barovier 2/11/62.
3 5/8 in. high (9.3 cm)
Ø; 7 1/2 in. (19 cm)

Exhibitions:
1993, Venice, L’Arte dei Barovier Vetrai di Murano 1866-1972,
Querini Stampalia;
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu, Spazio Oberdan.

Bibliography and comparative texts:
M. Barovier, 1993, n. 164;
H. Ricke, E. Schmitt, 1996, n. 268;
Olnick Spanu, 2000, n. 130;
Olnick Spanu, 2001, n. 165.