Vetri Soffiati Muranesi Cappellin Venini & C. 1921–1925

Cappellin Venini & C. was founded in 1921 after the meeting of the Venetians Giacomo Cappellin and Luigi Ceresa, the Milanese Paolo Venini, and the German-born Emilio Ochs. It first settled in the furnace abandoned by Andrea Rioda. Rioda had died prematurely, leaving the technical direction of his company to Giovanni Seguso, better known to some as Patare. Under the artistic direction of Vittorio Zecchin, Cappellin Venini & C. produced collections characterized by essential forms, some of which were inspired by the Renaissance glass pieces reproduced by sixteenth-century painters in the Veneto region. The company received widespread acclaim at the major exhibitions of decorative arts of the ’20s such as the Biennale di Monza (1923, 1925), the Biennale di Venezia (1924), and the Paris Exposition (1925). Cappellin and Venini separated due to irreconcilable differences, and the company was closed in May of 1925. Subsequently, Paolo Venini and Ochs took the furnace and created a new company named Vetri Soffiati Muranesi Venini & C. Giacomo Cappellin took the glassblowers and Vittorio Zecchin with him and founded a new company with a new furnace: the Maestri Vetrai Muranesi Cappellin & C.

Photograph by Luca Vignelli
Vittorio Zecchin, Vetri Soffiati Muranesi Cappellin Venini & C., 1921-1925
Vittorio Zecchin
Libellula, 1921-1925

Vittorio Zecchin   LibellulaVetri Soffiati Muranesi Cappellin Venini & C., 1921-1925

Vase in thin blue transparent glass. It is distinguished by its two large handles, which cause it to resemble a dragonfly, hence, its name. After the 1925 closing of V.S.M. Venini & C., the model was included in both the M.V.M. Cappellin & C., (n. 5481) and the V.S.M. Venini & C., (n. 1432) catalogues.

Acid stamped: M.V.M. Cappellin Murano.
7 in. high (17.8 cm)

Exhibitions:
1923, Monza, 1st Esposizione Internazionale delle Arti Decorative;
1924, Venice, 14th Biennale Internazionale d’Arte (?);
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
C. Carrà, 1923, p. 67;
R. Linzeler, 1923, p. 84;
R. Papini, 1923;
R. Barovier Mentasti, 1982, n. 253;
Mille anni…, 1982, n. 501;
W. Neuwirth, 1987, n. 110;
F. Deboni, 1989, p. 35;
L’arte del vetro…, 1992, n. 306;
M. Heiremans, 1993, n. 192;
M. Barovier, R. Barovier Mentasti,
A. Dorigato, 1995, n. 15;
M. Barovier, 1999, p. 104;
Olnick Spanu, 2000, n. 11;
Olnick Spanu, 2001, n. 16;
M. Barovier, 2002, n. 123.

Photograph by Luca Vignelli
Vittorio Zecchin, Vetri Soffiati Muranesi Cappellin Venini & C., 1921-1925
Vittorio Zecchin
Trasparente, 1921-1925

Vittorio Zecchin   TrasparenteVetri Soffiati Muranesi Cappellin Venini & C., 1921-1925

A thin light blue transparent glass vase with applied handles. After the closing of the Vetri Soffiati Muranesi Cappellin Venini & C., this style was added to the catalogue of the M.V.M. Cappellin & C., as model number 5293.

16 1/4 in. high (41.2 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
A. Venini Diaz de Santillana, 2000,
n. 10;
Olnick Spanu, 2000, n. 10;
Olnick Spanu, 2001, n. 15.

Photograph by Luca Vignelli
Vittorio Zecchin, Vetri Soffiati Muranesi Cappellin Venini & C., 1921-1925
Vittorio Zecchin
Trasparenti, 1921-1925

Vittorio Zecchin   TrasparentiVetri Soffiati Muranesi Cappellin Venini & C., 1921-1925

Gourd-shaped vase in thin, light blue, ribbed transparent glass decorated with two rings at the base of the long neck.
9 5/8 in. high (24.5 cm)
Veronese vase in thin amethyst-colored ribbed transparent glass.
9 3/4 in. high (24.8 cm)
Tall vase in thin light blue transparent glass, ribbed and decorated with teardrop-shaped applications.
15 in. high (38.1 cm)

Exhibitions:
2000, New York, Venetian Glass, Museum of Arts & Design;
2001, Milan, Murano: Vetri dalla Collezione Olnick Spanu,
Spazio Oberdan.

Bibliography and comparative texts:
Mille anni…, 1982, n. 502;
F. Deboni, 1989, n. 4;
M. Barovier, 1999, p. 105;
A. Venini Diaz de Santillana, 2000, nn. 12, 14;
Olnick Spanu, 2000, n. 9;
Olnick Spanu, 2001, n. 14;
M. Barovier, 2002, nn. 203, 205.